2012-12-07 // 23:36:00
SteveTilbury
In camera prints will be colour, just like that massive polaroid camera produces:) the pic right at the bottom of the page is one!( the bloke with beard looking at a plant), if you click the blue type right the very bottom you'll see another.

2012-12-07 // 21:42:54
SteveTilbury
See if you can get hold of the Ilford colour print manual, it'll tell you all you need, most well exposed transparencies print very well, easier than you think, much much better than colour neg, I loved the way old kodachromes printed, almost a 3 dimensional in quality and colour depth nothing like it, I've a epson pro printer and the results are awful in comparison!
I have a box of 16x20 and chemicals got an idea of a gaint pinhole... so many ideas and so little time!! have a look at what this english genius has done,
good luck! scroll to the bottom of the page »link
»link

^ Thanks for your input on this, much appreciated! This suitcase-camera is real genius - reminds me of DIY mobile darkrooms I've seen on the web, which people use for their collodion-wetplate work on the "go". But why are these in-camera-exposed cibachromes black and white? And: If I would expose a black and white positive to a cibachrome print, the print will be black and white, is that correct?

2012-12-07 // 17:44:05
SteveTilbury
I have some old cibachrome paper boxes I've kept for old times sake!
There was nothing like getting a big cibachrome print out of a drum that had exposed right, such a stunning print medium, cheers for the memory!

^ I'm looking forward to use this. Got some fixer as well, but missing the bleach bath ... I have acces to paper too AND to several transparent material (need to look up its names), the ones that can be back lit. At this point I found there is some information on the web, but not enough, especially about the transparent material.

2012-12-05 // 23:38:45
Roscoe
Something about old packaging I like. I have a box of an old Italian 8mm film canister I should shoot. Nice still life shot.